NEW YORK CITY -- The New York Ceramics Fair, the eight-year-old event that annually harnesses the enthusiasms of a small but focused group of connoisseurs, kicked off New York City's Americana Week with the most zealous opening night crowd in town. Organized by Bill Caskey and Liz Lees of Topanga, Calif., this year's Ceramics Fair saw increased opening night attendance. The total gate for the week was 5,067, up from a year ago but down from 2004. Despite the decline, the bustling show was productive throughout, with curators from most of the country's leading museums making their rounds.
As identified by Chipstone Foundation's Ceramics in America , sponsor of the annual lecture series, ceramics lovers fall into several complementary groups. These camps form the major divisions of the show, which is strongest in English pottery, Chinese export porcelain, and contemporary studio pottery. In an ideal world, many other categories - Pueblo pottery, Portuguese azulejos and Peking snuff bottles, for instance - would also be included.
Among the studio potters, Paul Katrich sold 24 vessels in his signature luster glazes.
Part swap meet and part think tank, the New York Ceramics Fair wrapped up on Sunday, January 21, with collectors bereft of disposable income, perhaps, but richly stimulated by all they saw and heard. Even the loan show provided more food for thought. Essays on Don Carpentier's Stoke-on-Trent dig and on a trove of Spode artifacts that Carpentier acquired from the company in 2006 are planned for an upcoming issue of Ceramics in America.
For information, 310-455-2886 or www.caskeylees.com.
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